3D Models
3D Print Models
3D Scans
Animation & MoCap
Textures
Materials
Skin Reference
2D Game Assets
Sound Effects
Brushes & Tools
Reference Photos
Stock Images
HDR Images
3ds Max
Maya
Blender
Unreal Engine
Unity
ZBrush
Cinema 4D
LightWave
Marmoset
SketchUp
FBX
DAE
DXF
GLBThree More Wishes G8F
5.0 Stars |2 Ratings
! REPORT
FREE
NOTE: DIGITAL DOWNLOAD, NOT A PHYSICAL ITEM
Add to Collection
19 Likes
Share This Daz Content
Top Rated Vendor
I like to make free content for DAZ Studio!
License
Extended Use License
This item comes with our Extended Use Licensing. This means that you may use the model for both non-commercial and commercial purposes, in a variety of mediums and applications.
For full license terms, see our 3D Content Licensing Agreement
Item Details
| Vendor: | Excessive |
| Published: | Dec 02, 2025 |
| Download Size: | 30.3 MB |
| Software: | Daz Studio |
| Compatible Figures: | Genesis 8 Female Genesis 8.1 Female |
| dForce: | Yes |
Included Formats
Statistics
| Favorites: | 6 |
| Likes: | 19 |
| Views: | 480 |
Item Ratings
2 Ratings5 Stars|Dec 03, 2025
Much Appreciated!
5 Stars|Dec 02, 2025
Thanks.
Three More Wishes G8F
A collection of models that combine into a gossamer-skirted / billowy pantaloons outfit suitable for a si'la, a form of djinn from Arabic mythology, rigged in DAZ Studio for Genesis 8/8.1 Female, intended for use with dForce dynamic cloth simulation. The outfit consists of a bikini top and bottom, rigged separately as regular conformers; and attachments for the skirt, pantaloons, stole and shrug that are to be simulated as dForce dynamic cloth. Wearable presets are included to load the upper and lower parts of the outfit seprately or to simply load it all in one click. NB: This is an expansion/alternate version of my earlier Three Wishes outfit, and includes all the content from the prior release, overwrite contents as needed. Installation order does not matter.
NB: Jewelry shown in promo images not included
The material zones are configured with generic "cloth" and "trim" selections, compatible with materials from any of my other clothing items. Also includes a hierarchical material preset specific to this outfit to reset it to its default if you change your mind while tinkering with its materials. NB: the bikini top and bottom are minor modifications of earlier swimwear releases of mine. While the dynamic parts can be loaded standalone if you really want to for some reason, they're pretty closely fitted to the bikini top and bottom included here and won't make sense if used standalone, you should use the "!!Three Wishes" / "!!Three More Wishes" etc. wearable presets to load them.
Avoid having the character's limbs do anything too drastic with the skirts, e.g. sitting cross legged or having hands push into the skirt mesh etc. For more in-depth tutorials see some of the many videos on Youtube covering all skill levels and applications
To use, simply set up the scene and character(s) as you normally would; the character may be posed or even heavily morphed and scaled if desired!
- Select the target character in the scene hierarchy; you may wish to reduce or zero certain anatomy details like the navel or the nipple at this time
- Load the desired dress model from the Content Library
- Select the dress model in the scene hierarchy
- Set materials as desired; you may also wish to apply one of the Settings files that adjust how tight/loose the simulation will leave the garment
- On the Simulation Settings pane, check to see if the settings are appropriate (see notes below)
- Click 'Simulate'
- Allow the cloth simulation to run
- If Mesh Smoothing needs to be turned on, do so before rendering
- A Push Modifier is included and set to expand the dress a small amount (2mm) to account for any likely poke-through and to allow room for any reasonable under-garment (e.g. a panty hose geoshell); adjust as desired
- Ready to render!
NOTES ABOUT SIMULATION SETTINGS:
The default simulation settings are fine for the base poly in most situations; for use with the high rez version, if you have a lot of instances where the dress mesh "sinks in" to the character during simulation, this is because the collisions are being checked against the base geometry of the character figure, and there is simply nothing near to those dress polygons to collide against. There are two basic solutions:
- Change "Collision Mesh Resolution" from BASE to VIEWPORT; this will cause the solver to check collisions against what you see in the viewport, which means the subdivided character geometry. NB: THIS TAKES A LOT MORE TIME TO RUN, but this will give a much more accurate drape.
- Run the simulation at default settings, but rely on the Mesh Smoothing Modifier to smooth out the problem areas. This can be OK and you should probably try this first before changing the simulation settings, because it's much faster.
SINGLE-FRAME RENDER VS. ANIMATION RENDER:
Both versions of the dress load with a mesh smoothing modifier. If you are only rendering a single frame, you should switch off the smoothing modifier while the cloth simulation is running, because it has to do its calculations for each frame of the drape, and the simulation will take a lot longer to run. Once the simulation is complete, you can select the dress in scene hierarchy and in Properties/Mesh Smoothing, click the button for ENABLE SMOOTHING to turn it on, and the smoother will run just once - and you are ready to render!
If you are rendering the entire animation (i.e. making a movie) then you probably want to enable the smoother before running the simulation. Be aware the simulation will take significantly longer to run in this case!
NB: A pair of settings files is included to easily change the setting between SINGLE-FRAME and TIMELINE (Animation) modes.
NB: Many of the materials make extensive use of REFLECTION, REFRACTION, and TRANSPARENCY. Depending on hardware, the preview may not show these materials accurately or at all, but they should render OK in the Iray render engine. For more accurate preview you can enable NVIDIA Iray preview mode. These materials are generally interchangeable with any of my other dress models, and will be included with any future ones.
NB: the thread weave shader (used for bump and transparency cutout) is intended to be used with "flood fill" materials that don't care about UV scale, the bitmap is 512x512 scaled waaaayyyyyyy down via UV tile settings to allow for reasonably good detail. If you want to mix this idea with any other scale-dependent surface settings you would need to use a different set of bitmaps, with much higher resolution. Not hard to do but texture file size and memory usage at render will be much larger. The Texture Shaded preview mode is not too bad, but you can switch the viewport render mode to Iray if you want to see a high quality preview before final render. If you wish to do any bitmap textures for this model please be aware of the UV tile size and factor that in accordingly!
NB: the morphs, weights and JCMs are in a "good enough" state and work fine in a big variety of poses. If you find a position or shape that makes the mesh break, try dialing up the "FBMExpandAll" morph, or the other usual methods of dealing with pokethrough etc.
NB: Jewelry shown in promo images not included
The material zones are configured with generic "cloth" and "trim" selections, compatible with materials from any of my other clothing items. Also includes a hierarchical material preset specific to this outfit to reset it to its default if you change your mind while tinkering with its materials. NB: the bikini top and bottom are minor modifications of earlier swimwear releases of mine. While the dynamic parts can be loaded standalone if you really want to for some reason, they're pretty closely fitted to the bikini top and bottom included here and won't make sense if used standalone, you should use the "!!Three Wishes" / "!!Three More Wishes" etc. wearable presets to load them.
Avoid having the character's limbs do anything too drastic with the skirts, e.g. sitting cross legged or having hands push into the skirt mesh etc. For more in-depth tutorials see some of the many videos on Youtube covering all skill levels and applications
To use, simply set up the scene and character(s) as you normally would; the character may be posed or even heavily morphed and scaled if desired!
- Select the target character in the scene hierarchy; you may wish to reduce or zero certain anatomy details like the navel or the nipple at this time
- Load the desired dress model from the Content Library
- Select the dress model in the scene hierarchy
- Set materials as desired; you may also wish to apply one of the Settings files that adjust how tight/loose the simulation will leave the garment
- On the Simulation Settings pane, check to see if the settings are appropriate (see notes below)
- Click 'Simulate'
- Allow the cloth simulation to run
- If Mesh Smoothing needs to be turned on, do so before rendering
- A Push Modifier is included and set to expand the dress a small amount (2mm) to account for any likely poke-through and to allow room for any reasonable under-garment (e.g. a panty hose geoshell); adjust as desired
- Ready to render!
NOTES ABOUT SIMULATION SETTINGS:
The default simulation settings are fine for the base poly in most situations; for use with the high rez version, if you have a lot of instances where the dress mesh "sinks in" to the character during simulation, this is because the collisions are being checked against the base geometry of the character figure, and there is simply nothing near to those dress polygons to collide against. There are two basic solutions:
- Change "Collision Mesh Resolution" from BASE to VIEWPORT; this will cause the solver to check collisions against what you see in the viewport, which means the subdivided character geometry. NB: THIS TAKES A LOT MORE TIME TO RUN, but this will give a much more accurate drape.
- Run the simulation at default settings, but rely on the Mesh Smoothing Modifier to smooth out the problem areas. This can be OK and you should probably try this first before changing the simulation settings, because it's much faster.
SINGLE-FRAME RENDER VS. ANIMATION RENDER:
Both versions of the dress load with a mesh smoothing modifier. If you are only rendering a single frame, you should switch off the smoothing modifier while the cloth simulation is running, because it has to do its calculations for each frame of the drape, and the simulation will take a lot longer to run. Once the simulation is complete, you can select the dress in scene hierarchy and in Properties/Mesh Smoothing, click the button for ENABLE SMOOTHING to turn it on, and the smoother will run just once - and you are ready to render!
If you are rendering the entire animation (i.e. making a movie) then you probably want to enable the smoother before running the simulation. Be aware the simulation will take significantly longer to run in this case!
NB: A pair of settings files is included to easily change the setting between SINGLE-FRAME and TIMELINE (Animation) modes.
NB: Many of the materials make extensive use of REFLECTION, REFRACTION, and TRANSPARENCY. Depending on hardware, the preview may not show these materials accurately or at all, but they should render OK in the Iray render engine. For more accurate preview you can enable NVIDIA Iray preview mode. These materials are generally interchangeable with any of my other dress models, and will be included with any future ones.
NB: the thread weave shader (used for bump and transparency cutout) is intended to be used with "flood fill" materials that don't care about UV scale, the bitmap is 512x512 scaled waaaayyyyyyy down via UV tile settings to allow for reasonably good detail. If you want to mix this idea with any other scale-dependent surface settings you would need to use a different set of bitmaps, with much higher resolution. Not hard to do but texture file size and memory usage at render will be much larger. The Texture Shaded preview mode is not too bad, but you can switch the viewport render mode to Iray if you want to see a high quality preview before final render. If you wish to do any bitmap textures for this model please be aware of the UV tile size and factor that in accordingly!
NB: the morphs, weights and JCMs are in a "good enough" state and work fine in a big variety of poses. If you find a position or shape that makes the mesh break, try dialing up the "FBMExpandAll" morph, or the other usual methods of dealing with pokethrough etc.
