
Vintage Reel-To-Reel Tape Recorder 3D Model

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NOTE: DIGITAL DOWNLOAD, NOT A PHYSICAL ITEM

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Extended Use License
This item comes with our Extended Use Licensing. This means that you may use the model for both non-commercial and commercial purposes, in a variety of mediums and applications.
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3D Model Details
Vendor: | GMArtworks |
Published: | Nov 24, 2023 |
Download Size: | 97.4 MB |
Game Ready: | – |
Polygons: | 90,000 |
Vertices: | 90,000 |
Print Ready: | – |
3D Scan: | – |
Textures: | Yes |
Materials: | Yes |
UV Mapped: | – |
PBR: | – |
Rigged: | – |
Animated: | – |
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Favorites: | 0 |
Likes: | 3 |
Views: | 177 |
Item Ratings


5 Stars|Jan 13, 2024
Naturally Cool Staff !
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Vintage Reel-To-Reel Tape Recorder 3D Model
"Vintage Reel-to-Reel Tape Recorder"
The model was partly made in Bryce and in Vue Studio with boolean techniques. Everything was then exported to OBJ and brought together in Daz Studio. The textures were created in Photoshop and applied to the parts.
About:
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1 4, 1 2, 1, or 2 inches (6.35, 12.70, 25.40, or 50.80 mm) wide, which normally moves at 3+3 4, 7+1 2, 15 or 30 inches per second (9.525, 19.05, 38.10 or 76.20 cm/s). Domestic consumer machines almost always used 1 4 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+7 8 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.
Reel-to-reel preceded the development of the compact cassette with tape 0.15 inches (3.8 mm) wide moving at 1+7 8 inches per second (4.8 cm/s). By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular in audiophile settings into the 1980s and have re-established a specialist niche in the 21st century.
The model was partly made in Bryce and in Vue Studio with boolean techniques. Everything was then exported to OBJ and brought together in Daz Studio. The textures were created in Photoshop and applied to the parts.
About:
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1 4, 1 2, 1, or 2 inches (6.35, 12.70, 25.40, or 50.80 mm) wide, which normally moves at 3+3 4, 7+1 2, 15 or 30 inches per second (9.525, 19.05, 38.10 or 76.20 cm/s). Domestic consumer machines almost always used 1 4 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+7 8 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.
Reel-to-reel preceded the development of the compact cassette with tape 0.15 inches (3.8 mm) wide moving at 1+7 8 inches per second (4.8 cm/s). By writing the same audio signal across more tape, reel-to-reel systems give much greater fidelity at the cost of much larger tapes. In spite of the relative inconvenience and generally more expensive media, reel-to-reel systems developed in the early 1940s remained popular in audiophile settings into the 1980s and have re-established a specialist niche in the 21st century.