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Submit Your RenderCalvin and Hobbes Hugs 3D Model
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This item comes with our Extended Use Licensing. This means that you may use the model in a variety of mediums and applications. But, because certain intellectual property depicted in this model may not be affiliated with or endorsed by the original rights holder, this model is subject to an Editorial Use Only Restriction which limits the ways in which you may use this model.
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3D Model Details
| Vendor: | naeem32 |
| Published: | Jun 23, 2024 |
| Download Size: | 594.1 MB |
| Game Ready: | – |
| Print Ready: | Yes |
| 3D Scan: | – |
| Textures: | – |
| Materials: | – |
| UV Mapped: | – |
| PBR: | – |
| Rigged: | – |
| Animated: | – |
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| Views: | 43 |
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Calvin and Hobbes Hugs 3D Model
Calvin and Hobbes Hugs for 3D Printing.
Files: STL, OBJ, ZTL.
STL of various detailing.
PERFECTLY DETAILED.
ASSEMBLE STL.
Calvin and Hobbes is a daily American comic strip created by cartoonist Bill Watterson that was syndicated from November 18, 1985, to December 31, 1995. Commonly described as "the last great newspaper comic", Calvin and Hobbes has enjoyed broad and enduring popularity, influence, and academic and philosophical interest.
Calvin and Hobbes follows the humorous antics of the title characters: Calvin, a precocious, mischievous, and adventurous six-year-old boy; and his friend Hobbes, a sardonic tiger. Set in the suburban United States of the 1980s and 1990s, the strip depicts Calvin's frequent flights of fancy and friendship with Hobbes. It also examines Calvin's relationships with his long-suffering parents and with his classmates, especially his neighbor Susie Derkins. Hobbes's dual nature is a defining motif for the strip: to Calvin, Hobbes is a living anthropomorphic tiger, while all the other characters seem to see Hobbes as an inanimate stuffed toy, though Watterson has not clarified exactly how Hobbes is perceived by others, or whether he is real or an imaginary friend. Though the series does not frequently mention specific political figures or ongoing events, it does explore broad issues like environmentalism, public education, and philosophical quandaries.
At the height of its popularity, Calvin and Hobbes was featured in over 2,400 newspapers worldwide. In 2010, reruns of the strip appeared in more than 50 countries, and nearly 45 million copies of the Calvin and Hobbes books had been sold worldwide.
Calvin and Hobbes was conceived when Bill Watterson, while working in an advertising job he detested, began devoting his spare time to developing a newspaper comic for potential syndication. He explored various strip ideas but all were rejected by the syndicates. United Feature Syndicate finally responded positively to one strip called The Doghouse, which featured a side character (the main character's little brother) who had a stuffed tiger. United identified these characters as the strongest and encouraged Watterson to develop them as the center of their own strip. Though United Feature ultimately rejected the new strip as lacking in marketing potential, Universal Press Syndicate took it up.
The first Calvin and Hobbes strip was published on November 18, 1985 in 35 newspapers. The strip quickly became popular. Within a year of syndication, the strip was published in roughly 250 newspapers and proved to have international appeal with translation and wide circulation outside the United States.
Although Calvin and Hobbes underwent continual artistic development and creative innovation over the period of syndication, the earliest strips demonstrated a remarkable consistency with the latest. Watterson introduced all the major characters within the first three weeks and made no changes to the central cast over the strip's 10-year history.
By April 5, 1987, Watterson was featured in an article in the Los Angeles Times. Calvin and Hobbes earned Watterson the Reuben Award from the National Cartoonists Society in the Outstanding Cartoonist of the Year category, first in 1986 and again in 1988. He was nominated another time in 1992. The Society awarded him the Humor Comic Strip Award for 1988. Calvin and Hobbes has also won several more awards.
As his creation grew in popularity, there was strong interest from the syndicate to merchandise the characters and expand into other forms of media. Watterson's contract with the syndicate allowed the characters to be licensed without the creator's consent, as was standard at the time. Nevertheless, Watterson had leverage by threatening to simply walk away from the comic strip.
This dynamic played out in a long and emotionally draining battle between Watterson and his syndicate editors. By 1991, Watterson had achieved his goal of securing a new contract that granted him legal control over his creation and all future licensing arrangements.
Having achieved his objective of creative control, Watterson's desire for privacy subsequently reasserted itself and he ceased all media interviews, relocated to New Mexico, and largely disappeared from public engagements, refusing to attend the ceremonies of any of the cartooning awards he won. The pressures of the battle over merchandising led to Watterson taking an extended break from May 5, 1991, to February 1, 1992, a move that was virtually unprecedented in the world of syndicated cartoonists.
Comparison of "Calvin and Hobbes" 's following layout changes
The comic strip on the left from 1987 illustrates the layout constraints that Bill Watterson was required to work within for the first 6 years of the comic's syndication. The comic strip on the right from 1993 demonstrates one of the more creative layouts that Watterson had the freedom to employ after 1991.
During Watterson's first sabbatical from the strip, Universal Press Syndicate continued to charge newspapers full price to re-run old Calvin and Hobbes strips. Few editors approved of the move, but the strip was so popular that they had no choice but to continue to run it for fear that competing newspapers might pick it up and draw its fans away. Watterson returned to the strip in 1992 with plans to produce his Sunday strip as an unbreakable half of a newspaper or tabloid page. This made him only the second cartoonist since Garry Trudeau to have sufficient popularity to demand more space and control over the presentation of his work.
Watterson took a second sabbatical from April 3 through December 31, 1994. His return came with an announcement that Calvin and Hobbes would be concluding at the end of 1995. Stating his belief that he had achieved everything that he wanted to within the medium, he announced his intention to work on future projects at a slower pace with fewer artistic compromises.
The final strip ran on Sunday, December 31, 1995, depicting Calvin and Hobbes sledding down a snowy hill after a fresh snowfall with Calvin exclaiming "Let's go exploring!"
Speaking to NPR in 2005, animation critic Charles Solomon opined that the final strip "left behind a hole in the comics page that no strip has been able to fill."
Files: STL, OBJ, ZTL.
STL of various detailing.
PERFECTLY DETAILED.
ASSEMBLE STL.
Calvin and Hobbes is a daily American comic strip created by cartoonist Bill Watterson that was syndicated from November 18, 1985, to December 31, 1995. Commonly described as "the last great newspaper comic", Calvin and Hobbes has enjoyed broad and enduring popularity, influence, and academic and philosophical interest.
Calvin and Hobbes follows the humorous antics of the title characters: Calvin, a precocious, mischievous, and adventurous six-year-old boy; and his friend Hobbes, a sardonic tiger. Set in the suburban United States of the 1980s and 1990s, the strip depicts Calvin's frequent flights of fancy and friendship with Hobbes. It also examines Calvin's relationships with his long-suffering parents and with his classmates, especially his neighbor Susie Derkins. Hobbes's dual nature is a defining motif for the strip: to Calvin, Hobbes is a living anthropomorphic tiger, while all the other characters seem to see Hobbes as an inanimate stuffed toy, though Watterson has not clarified exactly how Hobbes is perceived by others, or whether he is real or an imaginary friend. Though the series does not frequently mention specific political figures or ongoing events, it does explore broad issues like environmentalism, public education, and philosophical quandaries.
At the height of its popularity, Calvin and Hobbes was featured in over 2,400 newspapers worldwide. In 2010, reruns of the strip appeared in more than 50 countries, and nearly 45 million copies of the Calvin and Hobbes books had been sold worldwide.
Calvin and Hobbes was conceived when Bill Watterson, while working in an advertising job he detested, began devoting his spare time to developing a newspaper comic for potential syndication. He explored various strip ideas but all were rejected by the syndicates. United Feature Syndicate finally responded positively to one strip called The Doghouse, which featured a side character (the main character's little brother) who had a stuffed tiger. United identified these characters as the strongest and encouraged Watterson to develop them as the center of their own strip. Though United Feature ultimately rejected the new strip as lacking in marketing potential, Universal Press Syndicate took it up.
The first Calvin and Hobbes strip was published on November 18, 1985 in 35 newspapers. The strip quickly became popular. Within a year of syndication, the strip was published in roughly 250 newspapers and proved to have international appeal with translation and wide circulation outside the United States.
Although Calvin and Hobbes underwent continual artistic development and creative innovation over the period of syndication, the earliest strips demonstrated a remarkable consistency with the latest. Watterson introduced all the major characters within the first three weeks and made no changes to the central cast over the strip's 10-year history.
By April 5, 1987, Watterson was featured in an article in the Los Angeles Times. Calvin and Hobbes earned Watterson the Reuben Award from the National Cartoonists Society in the Outstanding Cartoonist of the Year category, first in 1986 and again in 1988. He was nominated another time in 1992. The Society awarded him the Humor Comic Strip Award for 1988. Calvin and Hobbes has also won several more awards.
As his creation grew in popularity, there was strong interest from the syndicate to merchandise the characters and expand into other forms of media. Watterson's contract with the syndicate allowed the characters to be licensed without the creator's consent, as was standard at the time. Nevertheless, Watterson had leverage by threatening to simply walk away from the comic strip.
This dynamic played out in a long and emotionally draining battle between Watterson and his syndicate editors. By 1991, Watterson had achieved his goal of securing a new contract that granted him legal control over his creation and all future licensing arrangements.
Having achieved his objective of creative control, Watterson's desire for privacy subsequently reasserted itself and he ceased all media interviews, relocated to New Mexico, and largely disappeared from public engagements, refusing to attend the ceremonies of any of the cartooning awards he won. The pressures of the battle over merchandising led to Watterson taking an extended break from May 5, 1991, to February 1, 1992, a move that was virtually unprecedented in the world of syndicated cartoonists.
Comparison of "Calvin and Hobbes" 's following layout changes
The comic strip on the left from 1987 illustrates the layout constraints that Bill Watterson was required to work within for the first 6 years of the comic's syndication. The comic strip on the right from 1993 demonstrates one of the more creative layouts that Watterson had the freedom to employ after 1991.
During Watterson's first sabbatical from the strip, Universal Press Syndicate continued to charge newspapers full price to re-run old Calvin and Hobbes strips. Few editors approved of the move, but the strip was so popular that they had no choice but to continue to run it for fear that competing newspapers might pick it up and draw its fans away. Watterson returned to the strip in 1992 with plans to produce his Sunday strip as an unbreakable half of a newspaper or tabloid page. This made him only the second cartoonist since Garry Trudeau to have sufficient popularity to demand more space and control over the presentation of his work.
Watterson took a second sabbatical from April 3 through December 31, 1994. His return came with an announcement that Calvin and Hobbes would be concluding at the end of 1995. Stating his belief that he had achieved everything that he wanted to within the medium, he announced his intention to work on future projects at a slower pace with fewer artistic compromises.
The final strip ran on Sunday, December 31, 1995, depicting Calvin and Hobbes sledding down a snowy hill after a fresh snowfall with Calvin exclaiming "Let's go exploring!"
Speaking to NPR in 2005, animation critic Charles Solomon opined that the final strip "left behind a hole in the comics page that no strip has been able to fill."
