After Le Douanier Rousseau

The paintings no longer felt like they were being looked at. So, art had exercised its right to withdraw, the canvases had taken a step back, moving away from the edge of their frame, to hide their melancholy in the thickness of the walls. The shadow had covered them, thus deepening their feeling of emptiness. None of the visitors had noticed it. Art had then decided to take matters into its own hands, and to send, in the form of an allegory, one of its best explorers to determine what had changed in the behavior of museum visitors. Taking a photo of them is then literally placing oneself on the border that separates from a cliché. This set of nine moments of shooting constitutes traces of its reports.

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